Brigate Garibaldi were organized primarily by the Italian Communist Party and for the most part were populated by communists, socialists, and anarchists. Garibaldi was a central figure in the formation of a unified Italy during the middle of the Nineteenth century. To some extent, this partisan force descends from the Garibaldi Brigades that the communists sent to Spain to fight along side their Spanish comrades during the war against Franco's forces in the 1930s.
Again, this is just a plausible sample of how a Garibaldino might be outfitted. Much of the partisan's clothing and gear consists of items collected on the battlefield or received from the OSS or SOE.
1. Beretto R.E. con stella rossa - Italian army hat with red star
1a. Colbaco con stella rossa - Winter hat with red star
2. Fazzoletto rosso - Red neckerchief (color usually indicates communist partisan)
3. Giacca Militare - Military style jacket
4. Pistola Walther P38 - Walther P38 9mm pistol (German)
5. Fondina - Holster
6. Mitra Thompson - Thompson submachine gun
7. Stivali - Boots
8. Calzini - Socks
9. Pantaloni X Mas, preda di guerra - Captured X Mas trousers
10. Maglione a colo alto - Turtleneck sweater
11. Giberne - Ammo pouches
12. Pipa e tabacco - Pipe and tobacco
13. Borraccia e gavetta - Canteen and cup (German)
14. Gradi di Commandante di Divisione - Insignia of a Division Commander
15. Cinta - Belt
16. Coltello pieghevole - Folding pocket knife
Sunday, December 22, 2013
Sunday, November 24, 2013
Aspetto Personale: Brigata Osoppo (Impression: Osoppo Brigade)
The Osoppo Brigades were anticommunist partigiani originating in the province of Friuli in the northeastern part of the country bordering on Austria.
The clothing in this example should not be construed as being any sort of uniform; it's still just a case of wearing what one has on hand.
1: Basco nero con insegno tricolore - Black beret with tricolor patch
2: Fazzoletto verde - Green scarf
3: Maglione - Pullover sweater
4: Giacca di pelle - Leather jacket
5: Pantaloni tedeschi - German trousers
6: SMG Sten
7: Scarponi e calzini - Boots and socks
8: Giberne - Ammo pouch
9: Binocolo - Binoculars
10: Gavetta tedesca - German mess kit
11: Granate a mano - German hand grenades
12: Bretelle - Suspenders
13: Baionetta - Bayonet
14: Orologio da taschino - Pocket watch
15: Bussola RAF - Compass
The Sten gun (#6) was air dropped in large numbers to various partisan groups between 1943 and 1945. German items (trousers, mess kit, "potato masher" grenades, etc.) were battlefield pick-ups.
The clothing in this example should not be construed as being any sort of uniform; it's still just a case of wearing what one has on hand.
1: Basco nero con insegno tricolore - Black beret with tricolor patch
2: Fazzoletto verde - Green scarf
3: Maglione - Pullover sweater
4: Giacca di pelle - Leather jacket
5: Pantaloni tedeschi - German trousers
6: SMG Sten
7: Scarponi e calzini - Boots and socks
8: Giberne - Ammo pouch
9: Binocolo - Binoculars
10: Gavetta tedesca - German mess kit
11: Granate a mano - German hand grenades
12: Bretelle - Suspenders
13: Baionetta - Bayonet
14: Orologio da taschino - Pocket watch
15: Bussola RAF - Compass
The Sten gun (#6) was air dropped in large numbers to various partisan groups between 1943 and 1945. German items (trousers, mess kit, "potato masher" grenades, etc.) were battlefield pick-ups.
Saturday, November 23, 2013
Aspetto Personale: Gappista (Impression: G.A.P. Operative)
Here is the first of four informative plates describing typical partisan clothing and gear. This outfit would be right for a Roman citizen carrying out clandestine partisan missions in the city. The overcoat (#4) is right for winter and would not look entirely out of place during occasional spring and fall rain showers; otherwise, it would likely be replaced by a suit jacket or work coat.1: Cappello floscio - Hat
2: Orologio da polso - Wrist watch
3: Camicia - Shirt
4: Impermiabile - Overcoat
5: Pantaloni - Trousers
6: Pistola automatica - Semiautomatic pistol
7: Scarpe drop - Low quarter shoes
8: Cravatta - Necktie
9: Tabacco da masticare - Chewing tobacco
10: Documenti falsi - Forged identity card
11: Tirapugni - Brass knuckles
12: Caramelle per la gola - Throat lozenges
13: Penna stilografica - Fountain pen
14: Cinta - Belt
15: Calzini - Socks
16: Fazzoletto da taschino e sigarette - Pocket handkerchief and cigarettes
17: Fascia C.T.L.N. - C.T.L.N. Arm band
18: Soldi - Money
19: Distintivo partigiano - Partisan lapel pin
The pistol (#6) is an Italian-made Glisenti Model 1910, possibly a 'bring home' from WWI. Obviously, other makes of pistol are just as valid. The arm band (#17) and lapel pin (#19) are not for ordinary wear; the parigiano would carry them only when it seemed that a general insurrection might break out (when partisans would self-identify to the citizenry so as to be seen as competent leaders of the revolt).
Friday, September 20, 2013
Biblioteca Partigiana (Partisan Bookshelf)
Most everyone who chooses to get involved in this 'Living History business' eventually finds him- or herself with one or more books in hand, reading up on the selected period, locations, and events pertaining to the history being relived. I am no exception, in fact, my interest in studying history has increased exponentially since I first set out to assemble an accurate U.S.-Mexican War uniform. Reenacting the role of a partigiano italiano has been no different.
The story of the 1943-1945 war in Italy is reasonably well documented but was never as well publicized in the States as, say, the Normandy invasion or the Battle of the Bulge. The average American knows something about the destruction of the abbey at Monte Cassino and recognizes the place name "Anzio," but not much else. Likewise, Americans are quite familiar with the image of the French Resistance fighter but most are totally unaware of the Italian Partisans and their accomplishments in freeing their country from Fascist tyranny.
I started out reading whatever I could find about partigiani italiani and eventually graduated to reading books about the war in Italy. In retrospect, I probably should have done just the opposite; studying the 'big picture' first would have given me a better frame of reference from which to view and ultimately to understand the partisan story. I suppose I'll have to re-read some of those earlier books. Here then is a list of books that I've found useful grouped by subject and scope in a somewhat chronological order:
The story of the 1943-1945 war in Italy is reasonably well documented but was never as well publicized in the States as, say, the Normandy invasion or the Battle of the Bulge. The average American knows something about the destruction of the abbey at Monte Cassino and recognizes the place name "Anzio," but not much else. Likewise, Americans are quite familiar with the image of the French Resistance fighter but most are totally unaware of the Italian Partisans and their accomplishments in freeing their country from Fascist tyranny.
I started out reading whatever I could find about partigiani italiani and eventually graduated to reading books about the war in Italy. In retrospect, I probably should have done just the opposite; studying the 'big picture' first would have given me a better frame of reference from which to view and ultimately to understand the partisan story. I suppose I'll have to re-read some of those earlier books. Here then is a list of books that I've found useful grouped by subject and scope in a somewhat chronological order:
The War in the Mediterranean Theater of Operations (MTO)
The Italian Navy in World War II by Commander Marc`Antonio Bragadin provides good background material on Italy's view of itself as the deserving dominant power in the Mediterranean (though it held that position for little if any time). Somewhat dry, this book follows a mostly chronological path through the various campaigns from Ethiopia to the 1943 armistice and beyond. This is a difficult (and from what I've seen on ebay, expensive) book to find - mine came from the UNM ROTC library via a discard book sale.
The War in Italy
The Italian Campaign 1943-1945 by G. A. Shepperd is a chronological account of the action from a former British colonel. His treatment of the material is reasonably neutral though he does give the reader some indication of his favorite and less favorite personages on the Allied side. Each chapter begins with a chronological list of pertinent wartime events that occurred in the period being covered, a feature which causes the reader to consider how happenings in other theaters and back home influenced or were influenced by the action in Italy.
From the fall of Mussolini to the Liberation of Rome
The Race for Rome by Dan Kurzman does an admirable job of recounting the alliances, activities, and actions of the significant players involved in the pacification, occupation, and liberation of Rome from the late summer of 1943 until the Allies entered the Eternal City in June 1944. The author does an admirable job of detailing the activities of both sides, deals with the actions and influence of Pope Pius II, and spends a good 30 pages familiarizing us with the Roman partisans, who were still very much underground at this time.
The Battle for Rome by Robert Katz is another account of the events leading up to the liberation of Rome but with a slightly different approach. Here, Rome is a theater stage and the various organizations and people in Rome are the actors. Where appropriate, outside influences are allowed to be felt, but this is mainly the story about how those who were attached to the city, be they soldiers, diplomats, clerics, or partisans played out their roles in the subjugation and eventual liberation of the citizens.
A Spy in Rome by Peter Tompkins is a first hand account of his time in Italy, and more specifically Rome, as an agent of the U.S. Office of Strategic Services. He pulls no punches in expressing his disdain for some of his colleagues, superiors, and even the Allied brass. Along the way, he tells an exciting, sometimes scary, and perhaps slightly embellished story of his activities, including several close calls and near misses. Ultimately, he faults both the Allies for not moving quicker and with more audacity and the Badoglio government for not issuing explicit orders to resist to the Italian High Command, thereby bungling the chance to bring a quicker end to the German occupation of the country.
Italy Betrayed by Peter Tompkins is the story of Fascists and Italian industrialists taking the Italian people to war, their mostly successful efforts to save their skins and their fortunes through an ill-timed armistice, and the Allied failure to take full military advantage of Mussolini's fall. Tompkins provides full details of the conspiracies that led to il Duce's ouster and details the decisions and blunders that kept the Allies in a long and costly war. The book's bibliography cites over 300 other works, many unpublished and others in Italian. By the time I finished reading it, I was thoroughly disgusted with shrewd Fascists, barbarous Nazis, and naïve and sometimes incompetent and egotistical Allied commanders and leaders.
The Battle for Rome by Robert Katz is another account of the events leading up to the liberation of Rome but with a slightly different approach. Here, Rome is a theater stage and the various organizations and people in Rome are the actors. Where appropriate, outside influences are allowed to be felt, but this is mainly the story about how those who were attached to the city, be they soldiers, diplomats, clerics, or partisans played out their roles in the subjugation and eventual liberation of the citizens.
A Spy in Rome by Peter Tompkins is a first hand account of his time in Italy, and more specifically Rome, as an agent of the U.S. Office of Strategic Services. He pulls no punches in expressing his disdain for some of his colleagues, superiors, and even the Allied brass. Along the way, he tells an exciting, sometimes scary, and perhaps slightly embellished story of his activities, including several close calls and near misses. Ultimately, he faults both the Allies for not moving quicker and with more audacity and the Badoglio government for not issuing explicit orders to resist to the Italian High Command, thereby bungling the chance to bring a quicker end to the German occupation of the country.
Italy Betrayed by Peter Tompkins is the story of Fascists and Italian industrialists taking the Italian people to war, their mostly successful efforts to save their skins and their fortunes through an ill-timed armistice, and the Allied failure to take full military advantage of Mussolini's fall. Tompkins provides full details of the conspiracies that led to il Duce's ouster and details the decisions and blunders that kept the Allies in a long and costly war. The book's bibliography cites over 300 other works, many unpublished and others in Italian. By the time I finished reading it, I was thoroughly disgusted with shrewd Fascists, barbarous Nazis, and naïve and sometimes incompetent and egotistical Allied commanders and leaders.
From the Liberation of Rome to War's End
The Outlaws by Luigi Meneghello (translated from the original Italian text i piccoli maestri) is a first person account of a young man who, along with his school buddies, goes from student, to soldier, to partisan in the space of a few short months. The author wrote as if keeping a diary and without the benefit of the hindsight that typically colors the retelling of a true story. As a result, the reader is frequently confused or anxious, as was the author, when faced with the dangers of the day-to-day life of a partisan in northern Italy.
Sunday, September 15, 2013
Radio Roma Libera II (Radio Free Rome 2)
The radio station was a success beyond all expectations and it was extremely gratifying to walk through the 'barracks' and hear the programming playing from individual radio sets in the various rooms. There was but one malfunction - for reasons unknown, one afternoon Windows Media Player failed to move on to the next mp3 file. Fortunately, I was in the vicinity and so was able to launch the file manually with only a brief delay.
I cannot say enough about Media Outlet's Old Time Radio World War II MegaSet which was the source for nearly all of the material for the broadcasts. While one might bristle at paying for old radio programs that are in the Public Domain (and not too difficult to find online), your time is worth much more than Media Outlet's $14.49 price. Many of the mp3s include information about the "air date" of the program (usually embedded in the file name). Be advised that there is some post-war material included on the DVDs, but it's easily recognizable by checking the date.
The Media Outlet discs contain mostly Allied material, but there are a few hours of German programming as well. Unfortunately, for the MTO (Mediterranean Theater of Operations) there is very little Italian language material, outside of a few Italian songs and a couple of Mussolini's speeches. For this, I turned to the Italian State Radio and Television system, or RAI. With an online translator, a bit of trial and error, and some appropriate audio recording software, you can glean useful material from the RAI History site.
If you're interested in having your own low-power AM radio set, so as to become the next Edward R. Murrow, send me a message (preferably not in Morse Code)!
I cannot say enough about Media Outlet's Old Time Radio World War II MegaSet which was the source for nearly all of the material for the broadcasts. While one might bristle at paying for old radio programs that are in the Public Domain (and not too difficult to find online), your time is worth much more than Media Outlet's $14.49 price. Many of the mp3s include information about the "air date" of the program (usually embedded in the file name). Be advised that there is some post-war material included on the DVDs, but it's easily recognizable by checking the date.
The Media Outlet discs contain mostly Allied material, but there are a few hours of German programming as well. Unfortunately, for the MTO (Mediterranean Theater of Operations) there is very little Italian language material, outside of a few Italian songs and a couple of Mussolini's speeches. For this, I turned to the Italian State Radio and Television system, or RAI. With an online translator, a bit of trial and error, and some appropriate audio recording software, you can glean useful material from the RAI History site.
If you're interested in having your own low-power AM radio set, so as to become the next Edward R. Murrow, send me a message (preferably not in Morse Code)!
Saturday, August 3, 2013
Radio Roma Libera I (Radio Free Rome 1)
With the next few postings, I'm wandering a ways off of the 'Partigiano' thread to discuss my experiences setting up and operating a radio station to broadcast period programming during "March on Rome," a Mediterranean Theater of Operations WWII reenactment held at Ft. Stanton, NM during the last weekend in July.
My plan for MoR IV was to set up a low-power AM radio station to broadcast WWII era music, radio variety shows, and news programs during the event. All the participant "listeners" would have to do is bring an AM radio with them. Thankfully, this effort succeeded beyond my expectations.
The basis for the station is a low-power, no license transmitter called the "Talking House" (TH). This device is used by real estate agents to broadcast info about a house for sale to potential buyers sitting in their vehicle in front of the property. But the TH can be used for any legal purpose; it's not just for real estate sales.
The TH has internal storage for five minutes worth of audio, however it also has a 'line in' jack that allows it to accept an audio stream whose duration is limited only by the capabilities of the source device. For my station, I connected the TH input to the headphone jack of a laptop computer. The mp3 audio files came from a massive assortment of 1940s programming I purchased from an internet vendor - the performances are all considered to be in the public domain.
To impart maximum realism to the programming, I recorded voice 'time hacks', station identification (Armed Forces Radio Service, or A.F.R.S.), sign ons and sign offs, and a verbal statement explaining why occasional Nazi and Fascist material was being broadcast. Then, using audio editing software, I assembled the material into hour long blocks that opened with a time hack and station identification and saved each as a single mp3 file. The opening of the first hour's broadcast included the playing of reveille and the closing broadcast of each day included the playing of the National Anthem.
All that remained was to create a Playlist in Windows Media Player for each day and to place the appropriate mp3 files into each. From here it was a simple matter to start up the computer each day at the appointed time, launch Media Player, and double click the day's playlist...instant, and unattended radio programming. To get the word out, I printed daily program schedules to post in various locations around the camp. For a Forties feel, I printed the schedules on original, watermarked 'onion-skin' typing paper using a vintage looking typewriter font. Taking it a step further, only the first copy of each day's schedule was in black text, the other four copies were printed in a purple that to me made it look like carbon paper copies.
Axis music and propaganda programs were included three or four times a day using the subterfuge of signal drift; the scheduled program would drift off into the world of static and a German or Italian program would take it's place. Sometime before the end of the hour, the inattentive station engineer would notice the problem and quickly retune the equipment back to the A.F.R.S. program feed. To communicate this to listeners, the printed schedule was annotated during specific hours, explaining that 'atmospheric conditions' might permit competing programming from Axis transmitters to horn in on the A.F.R.S. frequency.
My plan for MoR IV was to set up a low-power AM radio station to broadcast WWII era music, radio variety shows, and news programs during the event. All the participant "listeners" would have to do is bring an AM radio with them. Thankfully, this effort succeeded beyond my expectations.
The basis for the station is a low-power, no license transmitter called the "Talking House" (TH). This device is used by real estate agents to broadcast info about a house for sale to potential buyers sitting in their vehicle in front of the property. But the TH can be used for any legal purpose; it's not just for real estate sales.
The TH has internal storage for five minutes worth of audio, however it also has a 'line in' jack that allows it to accept an audio stream whose duration is limited only by the capabilities of the source device. For my station, I connected the TH input to the headphone jack of a laptop computer. The mp3 audio files came from a massive assortment of 1940s programming I purchased from an internet vendor - the performances are all considered to be in the public domain.
To impart maximum realism to the programming, I recorded voice 'time hacks', station identification (Armed Forces Radio Service, or A.F.R.S.), sign ons and sign offs, and a verbal statement explaining why occasional Nazi and Fascist material was being broadcast. Then, using audio editing software, I assembled the material into hour long blocks that opened with a time hack and station identification and saved each as a single mp3 file. The opening of the first hour's broadcast included the playing of reveille and the closing broadcast of each day included the playing of the National Anthem.
All that remained was to create a Playlist in Windows Media Player for each day and to place the appropriate mp3 files into each. From here it was a simple matter to start up the computer each day at the appointed time, launch Media Player, and double click the day's playlist...instant, and unattended radio programming. To get the word out, I printed daily program schedules to post in various locations around the camp. For a Forties feel, I printed the schedules on original, watermarked 'onion-skin' typing paper using a vintage looking typewriter font. Taking it a step further, only the first copy of each day's schedule was in black text, the other four copies were printed in a purple that to me made it look like carbon paper copies.
Axis music and propaganda programs were included three or four times a day using the subterfuge of signal drift; the scheduled program would drift off into the world of static and a German or Italian program would take it's place. Sometime before the end of the hour, the inattentive station engineer would notice the problem and quickly retune the equipment back to the A.F.R.S. program feed. To communicate this to listeners, the printed schedule was annotated during specific hours, explaining that 'atmospheric conditions' might permit competing programming from Axis transmitters to horn in on the A.F.R.S. frequency.
Tuesday, July 9, 2013
Inni Partigiani III (Partisan Hymns 3)
Nothing earth-shaking to report, however I stumbled upon a nice and somewhat touching video on YouTube that captures the singing of "Bella, Ciao!" by a group of vecchi ('oldsters'), many of whom were likely real partigiani back in the day.
'Nuff said (for now)!
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