Friday, September 20, 2013

Biblioteca Partigiana (Partisan Bookshelf)

Most everyone who chooses to get involved in this 'Living History business' eventually finds him- or herself with one or more books in hand, reading up on the selected period, locations, and events pertaining to the history being relived. I am no exception, in fact, my interest in studying history has increased exponentially since I first set out to assemble an accurate U.S.-Mexican War uniform. Reenacting the role of a partigiano italiano has been no different.

The story of the 1943-1945 war in Italy is reasonably well documented but was never as well publicized in the States as, say, the Normandy invasion or the Battle of the Bulge. The average American knows something about the destruction of the abbey at Monte Cassino and recognizes the place name "Anzio," but not much else. Likewise, Americans are quite familiar with the image of the French Resistance fighter but most are totally unaware of the Italian Partisans and their accomplishments in freeing their country from Fascist tyranny.

I started out reading whatever I could find about partigiani italiani and eventually graduated to reading books about the war in Italy. In retrospect, I probably should have done just the opposite; studying the 'big picture' first would have given me a better frame of reference from which to view and ultimately to understand the partisan story. I suppose I'll have to re-read some of those earlier books. Here then is a list of books that I've found useful grouped by subject and scope in a somewhat chronological order:

The War in the Mediterranean Theater of Operations (MTO)

The Italian Navy in World War II by Commander Marc`Antonio Bragadin provides good background material on Italy's view of itself as the deserving dominant power in the Mediterranean (though it held that position for little if any time). Somewhat dry, this book follows a mostly chronological path through the various campaigns from Ethiopia to the 1943 armistice and beyond. This is a difficult (and from what I've seen on ebay, expensive) book to find - mine came from the UNM ROTC library via a discard book sale.
 

The War in Italy

The Italian Campaign 1943-1945 by G. A. Shepperd is a chronological account of the action from a former British colonel. His treatment of the material is reasonably neutral though he does give the reader some indication of his favorite and less favorite personages on the Allied side. Each chapter begins with a chronological list of pertinent wartime events that occurred in the period being covered, a feature which causes the reader to consider how happenings in other theaters and back home influenced or were influenced by the action in Italy.
 

From the fall of Mussolini to the Liberation of Rome

The Race for Rome by Dan Kurzman does an admirable job of recounting the alliances, activities, and actions of the significant players involved in the pacification, occupation, and liberation of Rome from the late summer of 1943 until the Allies entered the Eternal City in June 1944. The author does an admirable job of detailing the activities of both sides, deals with the actions and influence of Pope Pius II, and spends a good 30 pages familiarizing us with the Roman partisans, who were still very much underground at this time.

The Battle for Rome by Robert Katz is another account of the events leading up to the liberation of Rome but with a slightly different approach. Here, Rome is a theater stage and the various organizations and people in Rome are the actors. Where appropriate, outside influences are allowed to be felt, but this is mainly the story about how those who were attached to the city, be they soldiers, diplomats, clerics, or partisans played out their roles in the subjugation and eventual liberation of the citizens.

A Spy in Rome by Peter Tompkins is a first hand account of his time in Italy, and more specifically Rome, as an agent of the U.S. Office of Strategic Services. He pulls no punches in expressing his disdain for some of his colleagues, superiors, and even the Allied brass. Along the way, he tells an exciting, sometimes scary, and perhaps slightly embellished story of his activities, including several close calls and near misses. Ultimately, he faults both the Allies for not moving quicker and with more audacity and the Badoglio government for not issuing explicit orders to resist to the Italian High Command, thereby bungling the chance to bring a quicker end to the German occupation of the country.

Italy Betrayed by Peter Tompkins is the story of Fascists and Italian industrialists taking the Italian people to war, their mostly successful efforts to save their skins and their fortunes through an ill-timed armistice, and the Allied failure to take full military advantage of Mussolini's fall. Tompkins provides full details of the conspiracies that led to il Duce's ouster and details the decisions and blunders that kept the Allies in a long and costly war. The book's bibliography cites over 300 other works, many unpublished and others in Italian. By the time I finished reading it, I was thoroughly disgusted with shrewd Fascists, barbarous Nazis, and naïve and sometimes incompetent and egotistical Allied commanders and leaders.
 

From the Liberation of Rome to War's End

The Outlaws by Luigi Meneghello (translated from the original Italian text i piccoli maestri) is a first person account of a young man who, along with his school buddies, goes from student, to soldier, to partisan in the space of a few short months. The author wrote as if keeping a diary and without the benefit of the hindsight that typically colors the retelling of a true story. As a result, the reader is frequently confused or anxious, as was the author, when faced with the dangers of the day-to-day life of a partisan in northern Italy.

Sunday, September 15, 2013

Radio Roma Libera II (Radio Free Rome 2)

The radio station was a success beyond all expectations and it was extremely gratifying to walk through the 'barracks' and hear the programming playing from individual radio sets in the various rooms. There was but one malfunction - for reasons unknown, one afternoon Windows Media Player failed to move on to the next mp3 file. Fortunately, I was in the vicinity and so was able to launch the file manually with only a brief delay.

I cannot say enough about Media Outlet's Old Time Radio World War II MegaSet which was the source for nearly all of the material for the broadcasts. While one might bristle at paying for old radio programs that are in the Public Domain (and not too difficult to find online), your time is worth much more than Media Outlet's $14.49 price. Many of the mp3s include information about the "air date" of the program (usually embedded in the file name). Be advised that there is some post-war material included on the DVDs, but it's easily recognizable by checking the date.

The Media Outlet discs contain mostly Allied material, but there are a few hours of German programming as well. Unfortunately, for the MTO (Mediterranean Theater of Operations) there is very little Italian language material, outside of a few Italian songs and a couple of Mussolini's speeches. For this, I turned to the Italian State Radio and Television system, or RAI. With an online translator, a bit of trial and error, and some appropriate audio recording software, you can glean useful material from the RAI History site.

If you're interested in having your own low-power AM radio set, so as to become the next Edward R. Murrow, send me a message (preferably not in Morse Code)!

Saturday, August 3, 2013

Radio Roma Libera I (Radio Free Rome 1)

With the next few postings, I'm wandering a ways off of the 'Partigiano' thread to discuss my experiences setting up and operating a radio station to broadcast period programming during "March on Rome," a Mediterranean Theater of Operations WWII reenactment held at Ft. Stanton, NM during the last weekend in July.

My plan for MoR IV was to set up a low-power AM radio station to broadcast WWII era music, radio variety shows, and news programs during the event. All the participant "listeners" would have to do is bring an AM radio with them. Thankfully, this effort succeeded beyond my expectations.

The basis for the station is a low-power, no license transmitter called the "Talking House" (TH). This device is used by real estate agents to broadcast info about a house for sale to potential buyers sitting in their vehicle in front of the property. But the TH can be used for any legal purpose; it's not just for real estate sales.

The TH has internal storage for five minutes worth of audio, however it also has a 'line in' jack that allows it to accept an audio stream whose duration is limited only by the capabilities of the source device. For my station, I connected the TH input to the headphone jack of a laptop computer. The mp3 audio files came from a massive assortment of 1940s programming I purchased from an internet vendor - the performances are all considered to be in the public domain.

To impart maximum realism to the programming, I recorded voice 'time hacks', station identification (Armed Forces Radio Service, or A.F.R.S.), sign ons and sign offs, and a verbal statement explaining why occasional Nazi and Fascist material was being broadcast. Then, using audio editing software, I assembled the material into hour long blocks that opened with a time hack and station identification and saved each as a single mp3 file. The opening of the first hour's broadcast included the playing of reveille and the closing broadcast of each day included the playing of the National Anthem.

All that remained was to create a Playlist in Windows Media Player for each day and to place the appropriate mp3 files into each. From here it was a simple matter to start up the computer each day at the appointed time, launch Media Player, and double click the day's playlist...instant, and unattended radio programming. To get the word out, I printed daily program schedules to post in various locations around the camp. For a Forties feel, I printed the schedules on original, watermarked 'onion-skin' typing paper using a vintage looking typewriter font. Taking it a step further, only the first copy of each day's schedule was in black text, the other four copies were printed in a purple that to me made it look like carbon paper copies.

Axis music and propaganda programs were included three or four times a day using the subterfuge of signal drift; the scheduled program would drift off into the world of static and a German or Italian program would take it's place. Sometime before the end of the hour, the inattentive station engineer would notice the problem and quickly retune the equipment back to the A.F.R.S. program feed. To communicate this to listeners, the printed schedule was annotated during specific hours, explaining that 'atmospheric conditions' might permit competing programming from Axis transmitters to horn in on the A.F.R.S. frequency.

Tuesday, July 9, 2013

Inni Partigiani III (Partisan Hymns 3)

Nothing earth-shaking to report, however I stumbled upon a nice and somewhat touching video on YouTube that captures the singing of "Bella, Ciao!" by a group of vecchi ('oldsters'), many of whom were likely real partigiani back in the day.

'Nuff said (for now)!

Saturday, June 29, 2013

Vocabolario II (Vocabulary 2)


Well, it turns out that my supplications for an "English-Italian Military Dictionary" were heard; among a boxfull of ephemera won on ebay was an almost pristine copy of Army publication TM 30-603 "Italian Phrase Book' dated September 16, 1943. Unlike a typical tourist phrase book, this one is guaraneed to have some very useful phrases like, "Where is the enemy?" and "Hands up!" So without further adieu...

Useful Phrases:

  • Help me. I am lost. - Aiutami. Sono sperduto.
  • Draw me a map. - Fatemi uno schizzo.
  • Are there soldiers near here? - Ci sono dei soldati vicini?
  • I am wounded. Get a doctor. - Sono ferito. Chiamate un dottore.
  • Where is the enemy? - Dov'è il nemico?

Orders and Warnings:

  • Look out! - Attenzione!
  • Take cover! - Mettetevi a riparo!
  • Quiet! - Silenzio!
  • Stand up! - Alzatevi!
  • Come forward! - Venite avanti!
  • Turn around! - Voltatevi!
  • Stop! - Fermatevi!
  • Who goes there? - Chi va là?
  • Identify yourself! - Fatevi riconoscere!
  • (Give the) Sign! - Parola d'ordine!
  • Countersign! - Contraparola d'ordine!
  • Don't move! - Non muovetevi!
  • Surrender! - Arrendetevi!
  • Throw down your weapons! - Buttate a terra le armi!
  • Hands up! - Mani in alto!
  • Line up! - Mettetevi in fila!
  • Don't try anything! - Niente trucchi!
  • Obey or I'll fire! - Ubbidite o sparo!

There! That should get you through!

Wednesday, June 26, 2013

Omonimi delle Battaglie MoR I (MoR Battle Namesakes 1)

CAMPO DI CARNE

Campo di Carne is a small town on the road between the Anzio beachhead and Aprilia, south of Rome. Its existence can be established as far back as 1661 when it was included on a colorful map of the area. The origins of the name (literally, 'field of meat') are presumed to be rooted in the long-standing use of the area as a place to raise cattle and other animals for eventual human consumption. By mere coincidence, the town's peculiar name would take on additional significance during World War II.

By January 24, 1944, the Allied Forces that had come ashore at Anzio-Nettuno had reached Campo di Carne while German units were massing north of Campoleone. Territorial gains beyond Carroceto and 'The Factory' (Aprilia) extended the line, until the ferocity of Operation Fischfang (=Fishery) forced British 56th Division to retreat to Dead End Road, close to the overpass (a road bridge over the railway) at Campo di Carne from where they had set out three weeks earlier.

The overpass, known as 'The Flyover', was under severe and constant bombardment from heavy artillery in the Alban Hills and was known to men who had to fight there as 'The Gate to Hell'. The nearby railway station still exists but there is no immediate sign of the carnage that took place in 1944. War photographs of the overpass have come to represent the horror of the Anzio beachhead. By most accounts some 30,000 people, civilians included, died during the fighting in this area.

Monday, June 17, 2013

Varie Cose I (Odds and Ends part 1)

La Borsa Tactica (The Tactical Case)

This little 10"x10"x5" oddity has been the source of a lot of confusion and discussion. An Italian surplus dealer described it as a pre-war satchel charge container; someone else said it was a clerk's desk; others insisted that it's a post-war item, but could not say for sure what it was. Given that it's made of tin covered with canvas, I sort of felt that it had some purpose where it would be handy, if not indispensable, to protect whatever was inside from contact with hot stuff falling from the sky. I acquired one online for less than $20; someone sold one in Australia for over $90 and I've seen them for as little as $10.

Turns out it's a Borsa per accessori da mina (Case for demolitions materials), the argument concluded thanks to a printed inventory sheet found inside one example. The items that were normally carried inside include:
  •  n.1 coltello da tasca
  •  n.1 forbicetta mezzana
  •  n.1 pinza tagliastrozza
  •  n.1 gomitolo di spago da mm.2 straforzinato
  •  n.1 gomitolo di spago da mm.0,6
  •  n.50 tubetti di gomma per giunzione miccia
  •  n.1 martello a granchio
  •  Kg. 0,5 punte di filo ferro
  •  Kg.05 cambrette
  •  n.1 rotolo nastro isolante
  •  n.10 clips per giunzone miccia
  •  n.1 tasca per tritolo vuota
  •  n.1 borsetta per miccia vuota
Oh, and the inventory sheet cites a stock number that sources assure me is post-war - doesn't completely establish that these things did not exist before or during the war; doesn't say they did either.

Torcia Rettangolare (Square Flashlight)

I'd never seen one of these before March on Rome III in 2012. They were evidently common (standard issue?) among German soldiers and examples made in other European countries can be found. A major Italian producer of similar units was Vigila Pagani, though some say that they didn't get into making this sort of flashlight until after the war.

The unit typically has one or more colored filters that can be lifted into position via the appropriate slider and leather or vinyl tabs with button holes at the top and bottom for fastening it to shirt or tunic buttons for hands-free operation. These are typically powered by an odd (to Americans) 4.5V rectangular battery that costs $6 to $9 and has to be special ordered.

I've found a source for replacement battery boxes that hold 3 AA batteries. To this, I added a stick-on wrapper laboriously copied from a vintage Italian Superpila battery. I also have artwork for a Wehrmacht-issue  Daimon-brand battery.